Omah Lay - "Get Layd EP Review" Part Two.
This time, Omah Lay sounds very seductive, more real through a form of expression intents, in which he lifts his art in. Even, and at very high class position, carried along with his classy dexterity.
Back from our last episode on the review...
In the five track extended play. Well, I was overtaken by the vibe in a chronological order of its magical presentation. The vibe was heavily charming, coming with total expression, emotion and perfection stripes in Omah Lay's artistic construct. He delivered alongside a chic collabo, involving very high and distinctive tune constructors: fine instrumentalists - Abel Lead Us, El Jack, Andre Vibes, and Bizzouch, audio mixers and tunes mastered by - Swaps, STG. Holy creatives designed each tune with perfection and pure intention of exposing the chic African art.
"Damn" which came as a true vibe opener in the extended play, Produced by Bizzouch, mixed and mastered by Swaps, which came well dressed with the nicest apparels and opened the extended play to offer dead streak vibe.
Although it was created spunky and it'd left a space, which left one feeling unfilled and needs more placement. His rendition of Damn was really beautiful and served hot, it curates very special moment where the design described the place of the girl in his life, her sacrifice and loyalty, well rendered and paid servitude, complimenting the African beauty, which some ignorant people may misunderstand, thinking: "she's a slave to him, and full of foolishness.." Damn!
just as though he was serving us an appetizer, he came up with "Lo Lo", which was a charming solution to the waiting hearts of fans yearning for more of what damn had to offer, I continued in my own head like: "damn, damn, damn, damn.." Omah Lay has a very high dexterity on tunes.
"Lo Lo" the second vibe streak came, held a newer plain remark of the Afrobeat fusion in its closet, it was served with extraordinaire goodness and even deep caressing sweetness. With flows of dependable addiction for more, mixed and mastered by Swaps, and the additional soft conclusion strings was anchored by Abel Lead US.
This track is full of groovy pranks, holding unto something new that drives one's pulse crazy, it turns you "on" spiritually, physically and dredging through your feet feeling soft, to dance shakily. Omah Lay went like: "lemme show you something you would appreciate, something that you would never say no, something that would take away your sorrow." This tune just deserves a close listener to just be in sight of the popular Port-harcourt afro dance artiste - "AlexandraPedro" who greases unto her self with uniform dance moves, with her prospective focus to encapsulate your longing desire for herself... with her slow, swaying African legwork and zanku moves, and her sweet waist, doing the slow whine. Of course, which I've seen in sight roll mundane away. This is absolutely what this track, Lo Lo deserves. It's as a clean result of good music, good vibe and perfection of an experienced lyrical positioning.
Permit me to say, this track: LO, LO, LO, LO is a magical spin. The sonic construct tilts heavily towards the blend of the whole tact in African beat, everything about it displays the African thing. And I also noticed call back action in the artistic presentation, which defines the trueness of the African beat, a bit like chorusing which blots more sweetness. It goes like: "lemme take you up" take you up, "lemme take you down" lay you down, "lemme show you off" show you off, "lemme turn you on" turn you on.. lemme show you some good lo lo lo lo.. an unspeakable high definition of beauty. Very lovely and bore thick holes of addictions. And it continues still, and knocks one out to "rock" in reckless abandon.
Omah Lay gave his lovers a track they'd cling wholly to, at least to shake their body, and dance unto the African zanku and legwork, even twerk to, and go crazily wild.
"You" the third track on the extended play, this one I'd refer to as very contagious ailment that strikes with heavy force and even more replenish, striking an unending, and solemn sweetness and curates an emotional feel from within sides. This one was Produced by EL Jack beats, mixed and mastered by STG.
The vibe is cool, a very new creation and wholly irreplaceable. Omah Lay's a thick vibe scum. He sticks to his sonic essence inside out, not misleading his listener, but all he does is start the vibe, then he curates the essence and walk you through, along infinite sweetness thrill that ends unforgettable. Omah Lay's got his own specialties and models of caressing a mic to sound very alluring and totally unique.
This "You" track, first came off the extended play, but still balances right amongst his other art. Although, it came after "Bad Influence" off the EP and made a very solid mark on audiomack as well, and trended the art, on the go. Because it was a complete vibe and genuine content. Believe, no other act does it like Omah Lay, "Get Layd EP" , it's Omah Lay.
"Bad Influence" The vibe stricken art. This track is like a life purport (oxygen), it breezed into the fourth section of the play, although it came first this year, and it recorded bulk airplays and online streams. I noticed something about this art, you just cant and shouldn't try to do without it's enveloping form of sweetness, which comes wholly, touching every corner of the rift. The very smooth ride begins from the beginning, and then it ends in a very nice manner. The position it took on the extended play was perfect, although like I said earlier, it came from his vibe cabinet, which he began this year. Produced by Omah Lay, mixed and mastered by Omah Lay, and the additional soft strings conclusion was anchored by Abel Lead US.
This art is very beautiful, and glitters pure vibe streak: "Bad Influence". I'd say, initially was created as an introduction of servicing a very differential purpose, magnifying Omah Lay's 2020 continental vibe dishes, and as well unleashing him into an exclusive suite in which his craft has to relax. Because he made us fast for more tracks, and we did fast and waited patiently still.. after which, he then glued us unto "You" and next after fewer months handed us over to his get layd extended play, full of his beautiful grace and too many dexterity winding his art with sides.
Although, "Bad Influence" came first this year from Omah Lays vibe cabin.
"Lets imagine together, a group of guys, all friends having a time out at a relaxation spot with their girlfriends each. And then this track, bad influence "came on" from a very heavy colliding deck, although other tracks played away you know? What next.. Bad Influence by Omah Lay came on, and it was actually playing automatic without the Deejay who should take control of the deck, and the continuous playing went ahead.. without the control of the disc jockey. While he left duty shortly, to attend a client who called his attention, and promised to make the seeing very brief.
So "Bad Influence" played on till finish, and I could see everyone as well, smile without regret at the relaxation spot, feeling the vibe of 2mins 18seconds pull over and bring to them each, full packs of happiness for their soul, I just imagine smiles and soft laughs playing through their faces, accompanied with deliberate wagging of their heads, each. While the Deejay comes back to deck, after the his brief attention with a client, he begins the scratching and repeats the Bad Influence vibe, to begin another rounds of delivering to his many guest, feel of happiness and joyful feeling overflew the. Scraatcchyy...scratch!!
They'd feel the vibe and lavished endless love upon it. Because it came at the right time once more, and they ended with perfecting the goal at the relaxation spot, cooling off pressure with their babes each, and its goes deep, through, to their soul. Causing an overflow of completeness. For the vibe is really thick and full..."
"Ye Ye Ye" On this spot, it went like a closure in the extended play, and it'd serve and ended the five plays sweet, exclusive and even rightly. Where he finally travels far, goes spoilt in Kalakuta, the true land of Afrobeat commune, after his bad influence streak released him from the awful experience. So this time, he goes all out with his expressive ability. Slowly, he rough handles and overtake the afrobeat construct.
Meeting his new woman, when he lays her, for papa's lashing: "she go, ye, ye, ye, ye, ye when ah put am.."
This time, Omah Lay sounds very seductive, more real through a form of expression intents, in which he lifts his art in. Even, and at very high class position, carried along with his classy dexterity. So goes wild and even flirty, I feel his no more faithful abruptly. In way he ends the five plays, going wild with his new chickito, and maybe prepares the anchor to fly through another, in the club he newly acquired a free access permit. The beauty of this tune was the lovely afrobeat fusion inside out. Produced by Andre Vibes, mixed and mastered by Swaps.
I understood a very thick level that explains afrobeat in it's whole deep and spiritual level of focus, with Omah Lay's refined vocal texture: uniqueness and total expressiveness.
This spot, Ye Ye Ye, ends the five plays with a proper affection of strong purpose for more, it did'nt end here, expect more... serving it very hott and uniquely was the best choice he took upon to brew more inhouse creativity through. And if you've not got a 3days spare time to dedicate for the extended play, you've got to spin on this spot right away. Its a form of getting to understand what it means get set a sweet lay lashes.. front and even backside.
Get Layd. With sweet vibe You reader..
Rating: 5/5;
1. The every sonic construct on the extended play, rained continous and very heavy. Actually, it exudes an extraordinary fuming sweet and happiness, to be found no else where. Cutting every noted edge in the sound texture, and it was laid perfect. Across the five plays. Truly exquisite and refined richly.
2. The vocals where served, and presented on a very hot, and fierce slide... shakily, it was overtaken with his sassy vocal, a beauty which reels it down with total expression of his passion for art. And his long last experience in good music making. Indeed its lovely, and encompass beautiful, sounds on a very high level dexterity scale and full of professionalism, inside out. Note: The art of perfection I felt towards every single walls in the five plays. Was really golden, unique, sound crisp and everlasting with life eternal.
3. His lyrical emblem, which I noticed, was served with the finest lyrical construct and fully charged "in" with his specially crafted, unique designment. Like I said earlier: "you can't see or find Omah Lay's vibes and special toning construct, else where in this whole, wide world.." He's Omah Lay, another's vibe could as well, come from: Rema, Fireboy DML, Joeboy, 1dabanton, Mr.2kay, Idahams, etc.
He's the rave of the moment, in Nigeria music Industry. Outta of the southern part, of 9ja, from the shores of the south side, in Port harcourt, Rivers state. The land of milk and honeyed talented niggas. The treasure base of the Nation.
Omah Lay's a vibe splinter, a thick vibe scum. He's Port harcourt and he's got your every desire for good music... Port harcourt boys, you've got what you desire, from: Hiphop, Afropop, Afrobeat, and a Dancehall fusion, etc.
Note, them acts: Dr. Barz, Dandizzy, Idabanton, Ajebohustlers, Beauty Eru, Legendary Suni, Mr.2kay, and Idahams, etc.
We've got this...
Content Creator: Agwuma Kingsley
Editor: Pius Kiebel Barikume